CHAPTER XVII. OLIVER’S DESTINY CONTINUING UNPROPITIOUS, BRINGS A GREAT MAN TO LONDON TO INJURE HIS REPUTATION

It is the custom on the stage, in all good murderous melodramas, to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her