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idea of the three stiles used m our author's Comediesy the sublime, the droll

poetic, and the burlesque sublime. There is indeed a small mixture oi prose,

which is the only part of our old dramatic poets stile that moderns have

tion afford proof of aiiy kind, it wdl be directly opposite to Seward's opinion : First, as the

title mentions " two oi the precedent comedies,' the Woman-Hater could not be one, hav-

ing no place in the first folio. S>econdly, Seward says, " Fletcher could not be with Beau«

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