Skip to content

- Emily Dickinson

You know that Portrait in the Moon --

So tell me who 'tis like --

The very Brow -- the stooping eyes --

A fog for -- Say -- Whose Sake?

...

Read full poem

noun

A decorated cloth hung at the back of a stage.

Know more
910 words~5 min read

The Train Ride to the Open Day

The 7:12 from my local station was already crowded when I stepped onto the platform, the winter air still thick with the smell of diesel and damp wool. I’d been up since five, re-reading the open day program for a university I’d only ever seen on a screen, circling sessions I wasn’t sure I belonged in. The train pulled in with a hiss, and I found a window seat, my backpack heavy with a notebook I probably wouldn’t open and a bottle of water I’d forgotten to drink. Through the glass, the familiar shops and houses slid past, each one a landmark I’d known since primary school. This trip felt different, though—not just a ride to the city, but a crossing into something I couldn’t fully picture yet.

Across the aisle, a woman in a business suit was tapping at her phone, her expression fixed on a screen. A few seats down, a father bounced a toddler on his knee, the child’s laughter cutting through the drone of the engine. I watched them, wondering how they’d arrived at these routines, these small certainties. My own life felt like a stack of brochures I hadn’t sorted through—courses, degrees, pathways that all seemed to lead somewhere, but not necessarily to me. The train swayed as it picked up speed, and I thought about the power of this moment: a single morning, a single decision, could set me on a trajectory I’d never be able to undo. I pressed my forehead against the cold glass, letting the motion settle something in my chest.

By the time we reached the city, the sky had cleared to a pale blue. I transferred to a light rail that snaked through streets lined with sandstone buildings and students carrying canvas bags. They walked with an ease I envied—groups laughing, individuals plugged into headphones, all moving with purpose. I stepped off at the university stop and followed a stream of people toward a gate that seemed to mark a threshold. Inside, the campus opened into a courtyard filled with stalls and banners. I stood at the edge, watching, feeling the weight of my own hesitation. Everyone else appeared to know where they were going; I was just a body in the crowd, waiting for someone to tell me which way was forward.

The train swayed as it picked up speed, and I thought about the power of this moment: a single morning, a single decision, could set me on a trajectory I’d never be able to undo.

The first session I attended was in a lecture hall that could hold three hundred, though only a fraction of the seats were filled. A senior lecturer spoke about the shape of a degree in International Relations, how it wove theory with real-world cases. I took notes, but my mind kept drifting to the moment after—when I’d have to decide whether this was the place I’d spend the next three years. The lecturer mentioned a student exchange programme, and I imagined myself on another train, in another country, and felt a flicker of both excitement and fear. This was power, I realised: the ability to choose a version of the future. But the choice itself felt like a trap, each option closing off others.

After the session, I wandered into the library—a towering glass atrium filled with students at desks, their heads bent over laptops. I thought about what it would mean to be one of them, to claim a corner of that space as my own. Outside, a student ambassador showed me a common room where people were playing table tennis and drinking coffee from reusable cups. The scene was deliberately crafted to sell a lifestyle, but I still felt a pull. On my way back to the light rail, I passed a sculpture garden and stopped to sit on a bench. The afternoon sun was warm now, and I let myself breathe. For the first time all day, the pressure felt less like a weight and more like a possibility.

The light rail carried me back toward Central Station, and I replayed the conversations I’d had—with a student who’d talked about the workload, with a professor who’d asked what I wanted to learn. Each exchange had nudged something loose inside me, but I still didn’t have an answer. I watched the city recede, the buildings shrinking to shop fronts and backyards. I remembered the father on the morning train, the toddler’s laugh, and I wondered if I’d ever have that kind of unselfconscious certainty. But maybe that wasn’t the point. The ride had given me time to think, and the thinking itself was a kind of progress—a slow, uncertain shift that I could trust.

The train home was less crowded, and I took a seat facing the direction I’d come. The same stations slid past, but now they looked different: the old milk bar, the oval where I’d played weekend soccer, the streets I’d ridden my bike down. They were no longer just the background of my childhood; they were the starting point I was choosing to leave. I didn’t know which university I’d pick, or if I’d even get in. But on that ride, I understood that the power wasn’t in the decision itself—it was in the willingness to make one, to step onto the train and let the landscape change. I watched the sun set through the window, and for the first time, I felt ready.