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- Emily Dickinson

You know that Portrait in the Moon --

So tell me who 'tis like --

The very Brow -- the stooping eyes --

A fog for -- Say -- Whose Sake?

...

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noun

A decorated cloth hung at the back of a stage.

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934 words~5 min read

The Teacher Who Asked What I Wanted

It was a Thursday afternoon in late October, and the corridor outside Mrs. Ivey’s office smelled of stale coffee and photocopier toner. I had been summoned, not for a reprimand or a forgotten assignment, but for what she called “a chat.” At that stage of Year 12, every unscheduled conversation felt like a minefield—one wrong answer might expose how little I actually knew about my own future. I sat in the plastic chair across from her desk, my fingers picking at a loose thread on my blazer cuff, waiting for the inevitable question about my university preferences or my latest practice exam score. Instead, she leaned back, folded her hands, and asked something so simple that it caught me off guard: “What do you really want, Liam?”

I remember the silence that followed, thick enough to press against my eardrums. No one had ever asked me that before—not my parents, not my career advisor, not even my closest friends. The question itself sounded generous, almost benevolent, yet it carried an unsettling weight. It demanded an answer that felt true, not rehearsed; authentic, not strategic. In that moment, I realised how conditioned I had become to giving responses that pleased others or ticked a box. My entire Year 12 existence had been a performance: study this subject because it scales well, volunteer for this role because it looks good on a resume, smile through the stress because that’s what successful students do. But underneath the polished surface, I had no idea what I actually wanted, beyond survival.

I fumbled through an answer about wanting to do well in my exams and maybe study law, because that was the safe path I had mapped out with my parents. Mrs. Ivey listened without nodding, her expression neutral, and then she said quietly, “That’s what you think you’re supposed to say. But what do you want—when no one else is watching?” The question burrowed under my skin. I thought about the late nights when I cruised through old news articles online, not for research but for the sheer curiosity of understanding how political scandals unfolded or how climate policy failed. I remembered the feeling of losing track of time when I was debating with friends about whether justice could ever be truly impartial. Those moments held a pulse of genuine interest, yet I had dismissed them as distractions from the real work.

My entire Year 12 existence had been a performance: study this subject because it scales well, volunteer for this role because it looks good on a resume, smile through the stress because that’s what successful students do.

Over the next few weeks, Mrs. Ivey’s question followed me like a shadow. It surfaced during biology class while I was memorising the Krebs cycle, and again when I was drafting a personal statement that sounded like everyone else’s. The power of her question lay not in its novelty but in the fact that she had authority over me—she was my English teacher, someone whose judgment I respected—and she had used that authority not to direct me but to force me to direct myself. I began to see how often I had deferred to external expectations: choosing subjects based on ATAR scaling, joining clubs because my friends did, even shaping my personality to fit what I thought would be accepted. The question had cracked open a space for self-examination that I had been avoiding.

By November, the discomfort had become productive. I started having awkward conversations with my parents, explaining that maybe law wasn’t the only route. They were confused at first, worried that I was sabotaging my chances. But I held onto Mrs. Ivey’s question like a kind of compass. I enrolled in a journalism workshop over the summer just to test the waters, not because it would guarantee a scholarship but because I wanted to see if the spark I felt while reading political analysis could survive the grind of deadlines and editors. I also stopped pretending to enjoy extracurriculars that only padded my resume. The shift was not dramatic; it was a series of small refusals to let expectation dictate my choices.

The most concrete change came when I chose a different course for Year 13—one that involved a research project I actually cared about, rather than the standard academic stream. The decision felt risky, almost rebellious, as if I were stepping off a conveyer belt that everyone else seemed content to ride. But in that risk, I discovered something crucial: wanting something did not mean knowing exactly how to get it, and that uncertainty was not a failure but a condition of genuine ambition. I began to see Mrs. Ivey’s question not as a once-off intervention but as a tool I could turn on myself whenever I felt lost. She had given me a way to hold my own life up to the light and ask whether it was mine.

Looking back now, a year later, the question she asked remains the most valuable lesson I took from Year 12. It taught me that context and power are inseparable: her position as a teacher gave her question weight, but my willingness to sit with the discomfort made it transformative. The moment she asked what I wanted, she was not just performing a pastoral duty; she was insisting that I claim authorship of my own life. That is a gift I am still unpacking, because wanting is not a one-time answer but a practice of noticing when I am drifting and choosing to steer. Every time I face a fork in the road, I hear her voice again, and I remind myself that the only directions worth taking are the ones I choose, not the ones I inherit.