Skip to content

- Emily Dickinson

You know that Portrait in the Moon --

So tell me who 'tis like --

The very Brow -- the stooping eyes --

A fog for -- Say -- Whose Sake?

...

Read full poem

noun

A decorated cloth hung at the back of a stage.

Know more
944 words~5 min read

The Call Before Dawn

At 4:11 a.m., Nora woke to her phone vibrating against the timber floorboards beside the bed. The sound was a low, insistent hum that cut through the thick silence of the room. For a moment, she did not know where she was. The darkness was absolute; the curtain only beginning to pale at the edges, allowing a faint grey line to define the window’s frame. The vibration had entered her sleep before her mind could separate it from the remnants of a dream—something about water, a bridge, a sense of falling. By the second pulse, she was upright, her hand already reaching across the cool boards.

The caller ID read Elias.

Nora answered immediately, her voice rough with sleep. “What happened?”

There was a breath on the line, then another. Not silence. Breathing. Controlled, but only just. She could hear the slight tremor behind the deliberate pauses. Elias was a man who measured his words, but this was different—this was a man holding himself together by sheer force of will.

“I need you to listen carefully,” he said.

He worked two hours north on a surveying contract at the Calder Ridge site office, a remote outpost surrounded by scrub and the skeletal frames of unfinished buildings. In ten years of friendship, Nora had heard him drunk, furious, grief-struck, and once absurdly cheerful after winning a radio competition. She had never heard this tone before. It was too level. Too chosen. The theatricality that sometimes coloured his stories was absent; every syllable was stripped bare.

Nora swung her legs to the floor, her bare feet pressing against the worn timber. “Where are you?”

“At the Calder Ridge site office.” His voice was barely above a whisper.

“Why are you whispering?”

A pause. She heard him exhale, a long, shaky breath. “Because I am not alone.”

The words altered the dimensions of the room. Suddenly the walls felt closer, the air heavier. Nora crossed to the window and pulled the curtain aside. The street below was empty, the streetlights casting puddles of orange light on the wet asphalt. Her reflection hovered faintly in the glass: hair loose, face unarranged, one hand pressed against the sill as if balance now required architecture.

“Who is with you?” she asked, her voice steady despite the cold knot forming in her stomach.

“I don’t know exactly,” Elias said. “Two men. They came in through the storage entrance ten minutes ago. They think no one else is here.”

Nora forced herself not to ask the stupid questions first. Instead, she asked, “Can they see you?”

“No. I’m in the records room behind the kitchen. Door locked. The lights are off. I’ve been sitting in the corner, trying not to breathe too loudly.”

She heard something then: a distant metallic impact, blurred by space but unmistakable—the sound of a door being pried open, or a tool striking metal. Elias stopped breathing for half a second.

“Did you call the police?” Nora asked.

“Not yet. I called you first.”

“Why?”

“Because if I’m wrong, I sound ridiculous. And if I’m right, I need someone to know before the line goes dead.”

Nora closed her eyes. There it was: the real shape of the call. Not only fear, but witness. He was asking her to be the one who would remember, who would testify if the worst happened. The weight of that trust settled on her shoulders, palpable and heavy.

“Listen to me,” she said, her voice taking on a resolute edge. “You are going to put me on speaker, dial emergency services from the office line if you can reach it safely, and tell me everything you hear. Do not try to be brave in a creative way.”

Against all logic, he gave a short breath of laughter, a sound that was almost normal. “That is a very specific instruction.”

“Yes,” Nora said. “Because I know you.”

On the line, floorboards creaked. Somewhere farther away, a man said something too muffled to make out. Then there was the scrape of a chair against concrete. Elias inhaled once, sharply.

Then, very softly: “Nora, if they come through this door—”

“They won’t,” she said, cutting across him with a certainty she did not possess. “Start moving. I’m here.”

He didn’t argue. She heard the soft shuffle of his movements, the click of a phone being lowered. Then the line went quiet, save for the ambient hum of the connection. Nora held her breath, listening. The tension was a living thing, coiling in the dark.

A minute passed. Two. Then a long, sustained bang echoed through the speaker—the sound of a door being forced open. Elias’s breath caught, and Nora heard him whisper, “They’re in the kitchen.”

Her heart pounded. She thought of the precipice they were both standing on, the thin line between safety and disaster. “Stay quiet,” she breathed. “Stay still.”

There was a clatter, a voice shouting. Then the line went dead.

Nora stared at the phone in her hand, the screen black. The room was silent again, but the silence felt different now—charged, expectant. She pressed the call button again, but it went straight to voicemail. She dialled emergency services, her fingers trembling.

Outside, the first light of dawn began to creep across the horizon, indifferent to the drama unfolding two hours north. Nora waited, a witness to a story she could not control, the weight of her friendship pressing against her chest like a stone.

The call before dawn had changed everything. Now all she could do was hold the line, and hope.